In the spring of 2011, artist Angela Cockayne and writer Philip Hoare convened and curated a unique whale symposium and exhibition at The Levinsky Gallery, the dedicated contemporary art space at The Arts Institute (formerly Peninsula Arts), University of Plymouth, under the title, Dominion. Inspired by their mutual obsession with Moby-Dick and with the overarching subject of the whale, they invited artists, writers, musicians, scientists and academics to respond to the theme. The result was an enthusiastic response which evidently could not be contained within the physical restrictions of a gallery space and a three-day symposium.

‘I have written a wicked book’, said Melville when his novel was first published in 1851, ‘and I feel as spotless as the lamb’. Deeply subversive, in almost every way imaginable, Moby-Dick is a virtual, alternative bible – and as such, ripe for reinterpretation in this new world of new media. Out of Dominion was born its bastard child – or perhaps its immaculate conception – the Moby-Dick Big Read: an online version of Melville’s magisterial tome: each of its 135 chapters read out aloud, by a mixture of the celebrated and the unknown, to be broadcast online in a sequence of 135 downloads, publicly and freely accessible.

Traditions that embrace or include theologies of immanence include Paganism, pantheism, polytheism, polymorphism, animism, Heathenry, Druidry, Unitarianism, Wicca, and many more. The aim of this wiki is to promote discussion and awareness of theologies of immanence. It is not to impose an orthodoxy on the rich diversity of thinking about immanence, but rather to explore it and make it available to others.